- ABODE AFTER EFFECT CS4 FULL
- ABODE AFTER EFFECT CS4 PRO
- ABODE AFTER EFFECT CS4 SOFTWARE
- ABODE AFTER EFFECT CS4 WINDOWS
Unfortunately, these cameras may not be the best for keying. Consumer-grade, high-definition video cameras can be found at prices below $1,000 US. Video cameras have become significantly more affordable in recent years. With this in mind, let’s explore effective techniques for creating footage.
ABODE AFTER EFFECT CS4 SOFTWARE
While software tools are fairly forgiving of poorly shot footage, the most professional results start with well-executed acquisition. Successful use of chroma (or color) key requires properly acquired footage. The popularity of chroma key technology has grown immensely, bringing the technology and tools within reach of most content creators. This technology is hardly new, making its first appearance at RKO Radio Pictures in the 1930s. By shooting elements against a blue or green screen, you can easily remove the background. One common technique you can use for video footage is chroma key technology. You can create alpha channels in several ways. Other new effects include Bilateral Blur, which leaves edges alone whilst smoothing out details, and Turbulent Noise, a faster, smoother version of Fractal Noise.The original footage is used to generate a matte file, which can be stored with the layer for export as an alpha channel or can be used to composite over a different background layer in After Effects or Flash. It’s GPU accelerated, too, making it very responsive. This smoothes out detail, finds and highlights borders, and fills in gradients, achieving end results that look a bit like the hand crafted transformations in Steven Soderbergh’s A Scanner Darkly. Meanwhile, Mini-Flowcharts help you to navigate through nested compositions.
ABODE AFTER EFFECT CS4 FULL
As you type, the search narrows automatically particularly handy if you have a project packed full of assets, or timelines with umpteen layers.
ABODE AFTER EFFECT CS4 WINDOWS
The Project and Timeline windows have now acquired search boxes, which function in a similar way to the one previously found in the Effects pane. This also acts as a gateway to the online Design Center (a tutorial resource) and to Adobe Bridge.
ABODE AFTER EFFECT CS4 PRO
As with Premiere Pro CS4, After Effects CS4 has been treated to a new opening dialog, which allows you to load existing projects and start new compositions quickly. The rest of the After Effects interface has had a vague refresh to keep it in line with other apps in the suite, but otherwise the main elements remain as before, with a few minor tweaks. But the necessity of copying and pasting tracking values from Mocha into After Effects is a little clunky, and having to get to grips with yet another complicated interface is hardly ideal.
It’s undoubtedly powerful, allowing you to define problem areas to ignore as well as what to track. Mocha boosts this capability even further, though it’s actually a standalone project, rather than a direct After Effects plug-in. After Effects’ motion tracking has been one of the cornerstones of its power for some time, allowing you to track an object within a frame automatically and make other objects follow it – useful for compositing flames into the hands of spell-casting wizards, for example. Rounding off the trip into other dimensions, After Effects CS4 now bundles Imagineer Systems’ Mocha to create what it calls ‘2.5D planar motion tracking’. You can’t model in 3D or create complicated 3D animations, but it’s still a major step forward for After Effects. Using the camera tools, animated motion around objects can be created and you can also apply effects such as distortions to those objects, the results of which again operate in three dimensions. With the support for Photoshop Extended’s 3D layers, true three-dimensional objects are now supported. Although 3D layers arrived back in version five of After Effects, they were basically 2D planes situated in 3D space. The biggest extension into the third dimension, however, is the ability to import 3D layers from Photoshop.
0 kommentar(er)
